Showing posts with label The Coldest Winter Ever. Show all posts
Showing posts with label The Coldest Winter Ever. Show all posts

Monday, June 11, 2007

Some reading notes, sans theme


[Photo by rocketlass]

1. About half of Stacey's photos of me are of me reading. Seems about right.

2. On the L Friday on my way home from work, I sat next to a man who was reading a beat-up old mass market paperback of Sister Souljah's The Coldest Winter Ever (1999). Every time he turned a page, he would press the book open until its two garish covers touched, then return it to a normal reading position. It was a perfect demonstration of why I cringe any time I look at mass market paperbacks in a used bookstore.

3. Like a lot of (white?) folks, I mostly know Sister Souljah from Bill Clinton's opportunistic use of her in his 1992 campaign. Her Wikipedia entry notes that The Coldest Winter Ever was her first novel and that it was praised by the New Yorker; the book's Amazon page, however, features celebrity librarian Nancy Pearl saying that "although the novel's writing is amateurish, the message is sincere." Amazon also reveals that the book contains the following statistically improbably phrases: bad bitch, drug game, difference between writers, Long Island, Slick Kid, House of Success.

Given the countless novels set in New York, how many times does a writer have to use the phrase "Long Island" in order for it to be statistically improbable?

4. While I'm on the topic of books marketed at an African American audience: a while back, also on the L, I saw a woman reading a novel called Thong on Fire (2007), which I learn from the Internet is subtitled "An Urban Erotic Tale." Now, being a man, perhaps I don't have standing to weigh in on this, but wouldn't fire be among the last things one would want to associate with a thong?

5. If, like me, you enjoy noting what people on the train around you are reading, you'd probably enjoy Seen Reading, a blog by a woman in Toronto who notes what people are reading around her, makes a guess of what page they're on, then, after going to the bookstore and reading that page, draws on what she finds there to write a bit of speculation about the person and their day. It's well worth your time.

6. A last note on the the topic of things thought on the L: as I sat on the L this morning, I was working through this post in my mind, thinking about how I would have to make sure to include the story of the odd conversation I had at the Printer's Row Book Fair yesterday:
After studying the books for sale at my employer's booth for a bit, a woman said to me, "Why don't you have any good books?"

To which I, reasonably, replied, "We do--all of these books are good." For emphasis, I accompanied my confident statement with a sweeping gesture that encompassed the dozens of books on offer in front of me; we had, after all, only brought good books.

"No," said the woman, emphatically. "I mean good books--ones that are written by Sports Illustrated!"

To which I had no response.

But as I sat on the L thinking about how bizarre this exchange had been, it slowly dawned on me that it had never happened: I had simply dreamed the whole thing.

Which does, however, give me a good excuse to point you to the Annandale Dream Gazette, a virtual dream aggregator that should be in the Google reader of all dream fans.

7. From dream to nightmare: remember learning about Valley Forge in grade school? What I've learned this week from John Ferling's compulsively readable Almost a Miracle: The American Victory in the War of Independence (2007) is that Valley Forge was far worse than we were probably taught. Due to a variety of failings on the parts of the nascent Congress and the poorly (and, to be fair, hastily) organized Army, along with some plain old bad luck, the Continental Army ran out of most supplies almost the instant they made winter camp at Valley Forge. Ferling's description of the conditions for the enlisted men rival the horrors faced by Napoleon's army as it fled Moscow, so vividly and terrifyingly described by Adam Zamoyski in Moscow 1812 (2004). Ferling puts Washington's army's suffering in perspective:
Upward of 2,500 of Washington's men perished that winter, very nearly one man in seven of the Continentals that were with him late in December. (In contrast, about one American in thirty who were involved in operations in the Battle of the Bulge died in battle).


8. Relating events earlier in the war, Ferling describes the British government's surprise at the Americans' strong showings in early battles thus:
Incredibly, [Prime Minister] North's government had led Britain into a faraway war without a plan for waging it. All along it had presumed that the Americans would back down when faced with British force. The government also believed that if the rebels were so foolish as to resist, their army could not possibly be a match for regulars. It, and the rebellion, would be crushed in short order.

Okay, fellow contemporary Americans: any of that sound frustratingly familiar?

There's also another reason the Revolutionary War is important to remember right now: the American military's longstanding tradition of treating prisoners with justice was originated by George Washington's army, who understood the necessity of treating one's vanquished foes with humanity and dignity. The Bush administration's repudiation of that heritage is one of the blackest stains on its reprehensible record.

9. One of the strengths of Almost a Miracle is Ferling's eye for the odd story or detail that makes this long-ago conflict come alive--makes it become human again, even when it's horrifying. Here, he tells of a foraging operation in the Valley Forge winter where a conscript, John McCasland, and fifteen comrades
were sent on a patrol to search out Hessians who were suspected of being in the area. They found them occupying "a large and handsome mansion house," and discovered, too, that the Germans had posted only a single "large Hessian" outside as a sentinel. The guard had to be disposed of before the others could be taken, but no one wanted "to shoot a man down in cold blood." After some debate, those who were thought to be the best shots drew lots to determine whose job it would be to take out the sentry. McCasland won (or perhaps lost) the draw. While he readied himself, the others surrounded the house. Finally set, McCasland decided that he would not shoot to kill, but instead fire "to break his thigh. I shot the rifle and aimed at his hip," he remembered. The shot struck a tobacco box in the soldier's pants pocket, ricocheted and entered his leg "and scaled the bone of the thigh to the outside." Hearing the shot, the other Hessians immediately decided that they were heavily outnumbered and must surrender. As none spoke English, one "came out of the cellar with a large bottle of rum and advanced with it at arm's length as a flag of truce." The sixteen Americans took twelve Germans prisoner "and delivered them up to General Washington."

Thursday, January 05, 2006

Post-war, pre-Marshall Plan

Returning temporarily to books I read over Christmas brings me to Paula Fox’s The Coldest Winter: A Stringer in Liberated Europe. It's a very brief book—just over a hundred pages, including photos, and it feels it, incomplete and uncertain. But the choppy, foreshortened nature of the narrative seems a necessary part of the story being told. In 1946, Fox, the daughter of a Hollywood screenwriter (and, according to the IMDB, the grandmother of Courtney Love), worked as a stringer for a low-level wire service in Europe, filing stories mostly from Warsaw, Prague, and Paris. Impressionistic and uncertain herself at age 22, she presents snapshots of a shell-shocked populace struggling to find its feet.

We Americans often forget how devastated Europe was by World War II and how long it took for life to return to a semblance of normalcy there. It didn’t help that the two winters following VE day were two of the harshest on record. From Warsaw, she writes:
The cold was so intense that like many others I took to wearing sheets of newspaper under my coat. There was hardly any public transportation, a few streetcars to whose dies people clung like flies on a lump of sugar, two or three buses, a few tiny cars with no windshield wipers, and perpetually fogged windows, and some motorbikes with wooden seats trapped on the front, from which, after the shortest ride, one toppled like a stone.

Arrangements had been made for us to attend the opening of the opera house that night, the first time a concert had been given there since the beginning of the war. Our Wroclaw interpreter told us to dress warmly. “There are holes in the roof from the bombing,” he said.

Even after the musicians had taken their seats, even when the audience filled the loges and orchestra, that penumbral cavern with its smell of dust and damp felt like a catacomb. There was something wrong with the electricity, and the lights couldn’t be dimmed without plunging us into total darkness. . . . The violin soloist . . . wore mitts; I could see from the box where I was sitting that they were woolen gloves with the fingers cut off. The musicians wore ordinary suits. Some were without ties.

Fox herself seems to still be uncertain what she learned that winter, how she feels about what she saw, how she understands that year of her life. The deprivation of the European scenes is sharply contrasted with the luxury (despite continued rationing) of the London set she moves in due to her parents, and in the shift, she is at least a tiny bit reminiscent of Nick Caraway in The Great Gatsby: present yet apart, impressed yet appalled, and implicated despite. But the fault here is not really Fox's—it's not too-passive witnessing of cruel indulgence, but rather the near-ultimate failure of humanity in general, and the close, detailed witnessing of its consequences. For that reason, The Coldest Winter feels like a necessary book, one that nagged and insisted at its author for 70 years in an attempt to force understanding.